بازیگران هالیوود toward unisex clothing has reshaped how we think about attire
dismantling rigid gender norms in wear
Even as it dominates today’s runways
it was forged long before it became mainstream
driven by innovators who reimagined clothing’s purpose
and redefine what clothing could be
Among the first to break the mold was Yves Saint Laurent
who revolutionized formalwear in the 60s with le smoking
a tuxedo suit for women
At a time when women were expected to wear dresses to formal events
this revolutionary act merged traditionally male and female codes of fashion
empowering women to claim authority and elegance through traditionally male garments
Rudi Gernreich expanded the frontier of genderless fashion
He created the daring monokini—an audacious topless swimsuit
and later created unisex clothing lines that featured loose silhouettes, bare midriffs, and gender neutral cuts
For him, fashion was never merely aesthetic—it was a vehicle for freedom
believing clothing should reflect freedom rather than restriction
In the 1980s and 90s, Rei Kawakubo of Comme des Garçons and Yohji Yamamoto brought a Japanese aesthetic to global runways
refusing to adhere to the binary expectations of fashion
Their collections embraced exaggerated forms, irregular cuts, and moody tones
that celebrated ambiguity and individuality over conformity
These designers did not design for men or women—they designed for people
More recently, designers like Jonathan Anderson at Loewe and Alessandro Michele at Gucci have continued this legacy
by blending traditionally masculine and feminine elements in their collections
Anderson’s work is defined by androgynous silhouettes and inclusive accessories
while Michele’s dreamlike outfits—adorned with florals, lace, and suits—belong to no single identity
Their work was never merely about fabric—it was a protest, a manifesto
They proved that apparel carries no sex—only identity
By rejecting the binary, they opened the door for a more inclusive, expressive, and authentic way of dressing
What we see today is not a moment—it is a movement
it is the living legacy of those who dared to dress humanity, not stereotypes